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Sonya Mann's active website is Sonya, Supposedly.

Mental Illness & Free Will (Or Not)

Here’s something I’ve been told about depression, both personally and generally: “It’s not your fault.” This sentiment is usually extended to any kind of mental illness. From one perspective, it’s true. We are all products — or rather victims — of brain chemistry and circumstance. No one gets to choose their genetics or how they’re treated by other people.

two men boxing
Photo via USMC Archives.

You gotta roll with the punches. Unfortunately, some of us are bad at rolling. Just because. We didn’t decide to default to stupid coping methods, and most of us can’t change our patterns without help. That’s normal and okay, positivity, blah blah blah, etc. The availability of help is crucial. Without health insurance, I would be sleeping on the streets, or dead, which is a cliche so I’m not sure how to state it with enough impact.

As a mentally ill person, I know the experience of suffering because your mind is beyond your control. (I’m tempted to say “formerly mentally ill”, because of ~stigma~, but it’s not something that goes away when the pills are working.) And yet… I have also human agency. To some degree my emotional experience is my fault, at least according to common ideas about how society works.

Author Alexandra Erin noted on Twitter, “So many systems that make up whatever you want to call ‘civilization’ depend on the participants abiding by certain minimal expectations.” It’s hard to blunder into abiding by such expectations, especially en masse — we do it on purpose, and we’re proud of that. Our species is smitten with the semblance of free will. I feel like I make choices.

choose your collar
Photo by zhouxuan12345678.

Previously I wrote about the illusion of autonomy:

“You’re born with particular DNA programming, which determines how you perceive and process outside stimuli, thus shaping your progress as a person, as a human psycho-physiological entity. Nature is what determines your reaction to nurture, and you don’t have any control over either. They both affect you, certainly, but not in a way that you can manipulate independently of who you already are… it gets circular. [Bold added.]

And yet we think that we have the power to decide things without reference to our formative contexts. Regardless of my philosophical position, my brain is convinced that it is reasonable. Accordingly, society is built on the idea of responsibility for one’s actions. I’m not saying that it shouldn’t be! As far as I can tell there’s no alternative. But how interesting, that the entire system of civilization is constructed around a logical fallacy.”

On the one hand, this is sort of freeing. “I’m not responsible for being useless and sad all the time!” On the other hand, if nothing is your fault, then you also don’t have any choices.

trauma of emotional abuse
Artwork by Run Jane Fox.

Battered spouses are often told that they didn’t choose to stay with their abusers after the first incidence of violence (whether emotional or physical). Victims are counselled not to blame themselves. Safety expert Gavin de Becker finds this rhetoric harmful, as he explains in The Gift of Fear. Most advocates contend that abusers forcibly shape reality for their targets, until escape options become invisible. In his book, de Becker argues that this attitude is problematic. If it’s not a choice to stay, then it can’t be a choice to leave. He suggests that empowering abuse survivors requires encouraging accountability for a person’s own abuse. That’s very tricky to do in a non-toxic way.

Are you responsible for your history? Which events and experiences can be traced to your decisions, and which can’t?

old snapshots
Photo by rogintakesphotos.

My reflections on all of this were prompted by Steven Johnson’s complaint about the board game Candy Land, in which outcomes are entirely due to chance:

“It says you are powerless, that your destiny is entirely determined by the luck of the draw, that the only chance you have of winning the game lies in following the rules, and accepting the cards as they come. Who wants to grow up in that kind of universe?”

Really, that’s the only universe we can grow up in. My friend Adam Brinklow commented on Facebook, “I assumed the real lesson [of Candy Land] was to cheat. Cheating being the only means of affecting the outcome.” I wish that cheating were more than a predictable reaction to stimuli… exactly like all other actions.

Niche Websites Aren’t Trying Hard Enough To Make Money

Blinded by Journalism
Photo by Ahmad Hammoud.

How to fund online journalism? For the most part, the conversation has focused on advertising. Hampton Stephens, founder of the self-sustaining World Politics Review, finds this puzzling. He cautions websites backed by venture capital, like BuzzFeed and Vox:

“The lesson that most media startups seem to have taken from the evisceration of advertising-supported journalism over the past two decades is that more innovation is needed… in advertising. […] To ensure the kind of ‘accountability journalism’ that is critical for any democracy to flourish, well-funded new media players must experiment with models other than advertising.”

Apparently everyone wants to copy the free metropolitan weeklies stuffed with “medical” marijuana enthusiasts. (No offense meant, East Bay Express.) A few high-end legacy newspapers—and premium newcomers like Stephens’ World Politics Review—have made subscription systems work, but only up to a point. The signups are slowing down. So… that’s it. Alternatives are strangely infrequently discussed, despite the occasional hat tip to research divisions.

Here’s the problem: Advertising works reasonably well when a website is deluged by traffic, but what about smaller operations? Are niche editorial websites doomed, or are they thriving? The general trend can be difficult to track, but journalistic endeavors of all sizes are trying to guess how they will be funded in a mobile-first world populated by Millennials who balk at paying for information.

Continue reading “Niche Websites Aren’t Trying Hard Enough To Make Money”

Inviting Participation Makes Membership Happen

Julia Turner wrote of “opinion journalism” that “the challenge is a glorious one: to come up with useful ways to understand the world, and to convey those to readers in a way they’ll find engaging.” Turner’s glorious challenge is the goal of any kind of public communication. One of the best methods is to include people in the process of gathering and interpreting information. This is what Melody Kramer does, and it is a delight!

a very excited puppy
I am as stoked as this dog. Photo by Eric Danley.

Kramer has an email newsletter (gif warning) that she uses in part to workshop ideas. Recently, exploring participation and membership, Kramer started a pen-pal project (for lack of a better way to describe it). She used computer magic to auto-pair the 380+ people who volunteered to participate. Then she instructed:

“I would like to ask the two of you to have a conversation with each other about something you’re each passionate about. It can take the form of an email, a video chat, a picture, a gchat, a postcard, or any other form of communication you can think of. When you’re done, please send me the url or the messages or whatever it is you decide to create in this form, and I will send it back out to the group.”

Kramer also noted what I observed above: “One of the best things about this newsletter, I think, is that it’s becoming a way for people to sandbox/share really good ideas.”

different kinds of inspiration
Illustration by Sacha Chua.

I was paired with Kaitlyn Benoit. We friended each other on Facebook and chatted about our interests; the conversation ended up being really affirming and great. You can read the full transcript on Medium, but here are the coolest things we said to each other:

“I think the most rewarding thing about musical performance is just being able to translate random black circles and lines on a staff into something audible that can be interpreted by listeners in a variety of ways.” — Katie

playing clarinet
Photo by Jim McDougall.

“Sentences don’t mean anything until someone reads them and interprets them with their own personal context and their own emotional background.” — Sonya

“there’s such an intimacy about reading something someone has written—we get to see how they turn words into meaning and how they string thoughts into sentences, AND we also get to use our own social context and worldview to understand those words and thoughts.” — Katie

pastel vintage phones
Photo by Adam Foster.

“there’s such a cool space that’s created when you’re not in competition with someone but rather working together to offer insights and improve whatever it is you’re collectively working on or thinking about.” — Katie

“one of my favorite things about history is crafting the narrative. And that history is not the past, but a story of the past—the past never changes, but the story can.” — Katie

A+ project idea, Melody Kramer! A+ insights, Kaitlyn Benoit!

Zine Review: Loose Meat Sandwich #1

Loose Meat Sandwich zine by Teflon Beast

Loose Meat Sandwich is a quarterly zine produced by Teflon Beast, an art/music collective based in Austin, Texas. They sent me a PDF of the first issue to evaluate.

I pretty much agree with Teflon Beast’s self-description of the publication, in which they invite readers to “feast your eyes on colorful faces and read the humorous rants of an iPhone madman.” I especially enjoyed the latter experiment, a nonsensical poem “generated using iPhone’s auto-correct on email.” This method is the “tech-savvy cut/paste method for today.” Sample lines:

“Definitely not the only hologram
We’d love to jog in light
Addictive hmmm the gouged out agreement on the phone
Wedge kit for the next administration”

Weird, huh? The illustrations were also very pleasing: bright fruity colors and psychedelia. I would recommend Loose Meat Sandwich to pop-art fans and noise-pop enthusiasts. (Tbh, I skipped most of the music-related stuff. Not my scene.)

You can read Loose Meat Sandwich #1 on Issuu or buy a paper copy for $5. And/or download the accompanying mixtape for $3 (same link).

Aesthetically related: I really like the collage art on John Vochatzer’s Instagram @calamityfair:

Religion Without Responsibility

I’ve had this post drafted since Easter.


I’m not a believer, but I consider myself somewhat religious. I’m ethnically Christian—does that make sense? I would like attend church on Sundays. Unfortunately, most churches are predicated on blind, nonsensical belief, which I can’t accept. Also, a significant portion of them are boring.

the gorgeous ceiling of Notre Dame cathedral
Notre Dame is un-boring based on the decor alone. Photo by Paul Bica.

Since today is Easter, I went to church with my family. The singing parts were nice, but the sermon combined dullness with idiocy. The pastor insisted that to be ~righteous~ in the eyes of the Lord, all you have to do is believe in Jesus Christ. He claimed that “works”, meaning self-improvement and efforts to alleviate the suffering in the world, are not the basis of worthiness. It’s all about that faith, baby. Ugh.

semi-disturbing Jesus graffiti
Semi-disturbing Jesus graffiti. Photo by Leonski Oh Leonski.

On the one hand, I choose the principle that human beings are valuable regardless of their personal attributes, because I think that leads to a better society. Which means, yeah, works aren’t the crux of your moral status. On the other hand, it’s pretty lazy to claim, “Oh no, I don’t have to try to be a good person. I just believe and Jesus takes care of the rest.” To me, that seems like a cop-out of developing rigorous individual ethics.

On the third hand—I need a third hand for rhetorical purposes—devout Christians do want to be good people, according to whatever rubric they subscribe to. And then there’s the fourth possibility, which I’m not quite arrogant enough to dismiss: maybe I understand nothing!

Frank Underwood: "I pray to myself, for myself."
Frank Underwood: not preoccupied by any of this nonsense.

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