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Sonya Mann's active website is Sonya, Supposedly.

Zine Review: The Average and Different Days #5

I traded with Mnon for issue #5 of her perzine The Average and Different Days, which you can buy inexpensively on Etsy. She also sent me On the Verge of Summer, a diminutive one-pager. Mnon writes that her latest perzine installment “deals with the need to be creative, scary phone calls,” and miscellaneous components of a French college girl’s mental health. (English isn’t Mnon’s first language, but the errors are only minor grammar blips. Her writing is easy to understand.)

The Average and Different Days #5 zine, plus On the Verge of Summer
Note: the pink is less saturated in person.

The Average and Different Days #5 zine

As you can see, The Average and Different Days is a traditional cut-and-paste typewritten zine. Pages are embellished with collage, illustration, and handwriting. Most of the text is Mnon’s charmingly candid reflections on her life. Also found within: a playlist, comparison of coffee versus tea, and plenty of references to Twin Peaks.

Mnon’s diary-style narrative conveys the stress of organizing an academic and professional future. She is open and honest about her struggle with anxiety, definitely willing to be vulnerable with strangers. I relate to Mnon’s description of the oddly stultifying panic that came with tackling a bureaucratic dilemma at her school (“scary phone calls”).

The zine’s subtext is that early adulthood involves growing pains, some provoked by obstacles that seem insurmountable. I would recommend The Average and Different Days #5 to angsty students and/or anyone who likes girly stuff (AKA exactly me).

Zine Review: Like Fighting The Ocean (Skateboarding After 30)

Like Fighting The Ocean is a zine about skateboarding and listening to punk music. Creator Paul Renn describes it in exactly those terms: “This zine is about punk rock and skateboarding, that’s it. They are inseparably linked in my mind and are two of the most important discoveries I’ve had in my life.” Thematically, Like Fighting The Ocean is about maintaining enthusiasm for counterculture activities that are associated with teenagers, even after turning 30 and starting an “adult” life.

You can buy the zine online ($4 + free US shipping), but Paul writes that he “would much rather trade for your zine/record/whatever the hell you think is worth trading…” I encountered Like Fighting The Ocean at Pegasus Books in Oakland, then emailed Paul to trade some of my writing for his. You can do the same via paulrenn1984@gmail.com.

Like Fighting The Ocean, skateboarding zine by Paul Renn
Note: the actual color is a true brown, like brown sugar.

I enjoyed Like Fighting The Ocean because it enthusiastically explores a culture that I’ve never joined. (Positive, good-hearted media is my favoritest thing. Okay, and then there’s Peep Show…) The zine could have been improved by including non-male voices, but punk rock and skateboarding are kind of a boys’ club, so I wasn’t exactly surprised.

The first section is “Skateboarding After 30”, which Paul prefaces by explaining that when he was a young adult, “doing rad shit past age 30 seemed amazing, but also unrealistic.” Following this are testimonials from other close-to-middle-aged skateboarders. After that, Paul interviews band members from the punk outfits Scholastic Deth and Night Birds. The last section (my favorite) is Paul’s tour diary from visiting Canada with another punk band, Reservoir.

Like Fighting The Ocean will appeal to skateboarders, punk rockers, and cultural voyeurs like me. It’s also a very nice physical object. The brown cardboard cover is heavy and good to touch; within, the font choices are charmingly playful. Recommended.

Collage: Ain’t I Good To You

My partner Alex and I like to laze around watching TV and making paper collages. It’s one of my favorite things to do with him. Ostensibly, these sessions are for working on Emeryville Ethereal, but usually we’re just goofing off and assembling semi-random art. Nevertheless, we often produce good content. Alex’s style influences me, making my work more interesting (and I hope vice versa). Last time we watched Aqua Teen Hunger Force. Here are two of the miscellaneous collages that I produced:

hey baby, ain't i good to you? party collage
high fashion & circus clowns collage

I may need to re-scan that second one. I’m not sure why the magazine grain is so prominent…

Zine Review: Graceful Party #1

Graceful Party is a black-and-white perzine. The first issue consists of 34 pages, wherein author Claire discusses lunar geography, flowers, horror dreams, and local diner menus, not to mention ghosts. She warns the reader on the first page, “If you have nothing but disdain for feminine trivia, please turn back now.”

I enjoyed this zine a lot. Surprisingly, so did my dad. He is a 58-year-old man, not necessarily the target audience. Dad said, “I especially like the sort of headlong quality of her writing. It’s just — coming out!”

Graceful Party #1 is available for trade and probably also for money — maybe even free? You can email gracefulpartyzine@gmail.com or check out this Tumblr post.

Graceful Party zine
Photo via the creator on Tumblr.

I appreciated the beautiful presentation of this zine. Floral wrapping paper and a handwritten note made me realize that I’ve been neglecting an essential part of the snail-mail experience when I send out my own zines. I can’t write a personal note for every envelope of Balm Digest, but I can take a little more care to make the package fun to open. It’s awesome that zines are a multi-stage experience, a sensory experience, and I want to create a special moment at the beginning like Claire did.

The content of Graceful Party #1 is a combination of illustrations and whimsical commentary. Drawings are done with thick black lines that have an incongruous buoyant quality. There is a lot of visual repetition, using the sort of mesmerizing patterns found in a book of optical illusions. Claire’s narrative dabbles in the occult, with friendly girlish handwriting. Think Buffy the Vampire Slayer rather than HP Lovecraft. Claire asks on page 22, “In daily life, how are you haunted? How might you be a ghost? Are you already a ghost? How? What is a ghost? Discuss.”

Near the end of the zine, Claire suggests listening to Unknown Rooms by Chelsea Wolfe, Brooklyn White, and Circus Maximus by Momus. On the last page, she explains references from throughout the zine, and provides credit for Creative Commons content, which thrilled me. Intellectual property is very important, but so many people flagrantly disregard it. All in all, I found Graceful Party #1 wonderful. If you love reading snippets of other people’s lives and are a fan of Ghostbusters or The X-Files, then I recommend this zine.

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