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Zine Review: Many & Various

Nope, I am not reviewing a zine called Many & Various, but rather I am reviewing many and various zines, plural.

Before thinking about it today, I had some ~ideas~ about zine reviews that prevented me from actually doing them. Previously I felt that a zine review ought to be accompanied by a picture. When there’s a photo, blog visitors can get a sense of the zine’s aesthetic as well as its contents. Each review ought to be thoughtful, length of 300 words or more. If someone sent me a zine specifically to review, I would probably still give it that treatment.

However, as usual, the cool thing about zines is that there are NO RULES beyond common courtesy. Even politeness is optional in such a punk-dominated subculture! (Disclaimer: I don’t know a single stuff about punkness. Additional note: being kind is always the best policy and that applies here too, but no one will make you stay nice.)

What follows are approximately four million reviews with varying levels of “completeness”. This is not a comprehensive list of zines that I’ve read recently, since I send a lot of them off in trade packages, or to friends who I think will like them. (Example: Party Boyz #1, a “lifestyle zine” about Portland’s DIY music scene, which I mailed to Paul Renn along with Balm Digest #2.) Anyway…

Psychometry zine

I enjoyed Psychometry. Creator Olivia M describes the zine better than I could: Psychometry deals with “LARPing, my first multiple sclerosis flare, high school, college, religion and atheism, asexuality […], and my mother, all in relation to found objects and ‘relics’ of past events.” I love that concept, talking about the associations of specific ephemera and trinkets. SYMBOLS ARE COOL. The reading experience was aesthetically pleasing and fun in that “window into someone else’s world” kind of way. Absurdly, I am reminded of Miss Marple.

Olivia is on vacation for three weeks, but after she gets back you can get this zine on Etsy, Storenvy, or by emailing paradoxrevealed@aim.com about trading. There is also a blog to follow.

haiku zine
haiku zine

I found INK through Tumblr and printed out the first issue to read. The whole thing is FREE on Scribd, which is just so cool; I love free stuff! Issue #1 focused on haiku, and I learned some things about this traditional Japanese form of short poetry, both its historical and modern usages. Apparently #2 will be about ee cummings.

zines by Brandt Schmitz

Following Deer Trails was one of the first zines that I bought with genuine dollars, at Pegasus Books in Berkeley, and it remains one of my favorites. Author Brandt Schmitz sent me Flying Into the Chandelier after I emailed him to ask where I could find more of his writing. Brandt gives exquisite attention to everything around him, making sure to appreciate life vividly. In turn, I appreciate the reminder to bring that loving focus to my own experiences.

Probably the best way to get ahold of either of these zines is to email Brandt (brandt_schmitz@hotmail.com) or write him a letter: Brandt Schmitz // PO Box #401 // Berkeley, CA 94701 // United States. However, the zines are also floating around the web to varying degrees. I found Flying Into the Chandelier listed for $2 at Quimby’s.

Cometbus #51 The Loneliness of the Electric Menorah

Cometbus is legendary in the zine world, one of the longest-running underground publications out there. Aaron Cometbus is a Bay Area native; he grew up in Berkeley. I’ve read a few issues but I particularly loved The Loneliness of the Electric Menorah because it’s a detailed history of Berkeley’s independent bookstores and the LARGE personalities of the people who started them. This zine made me want to wander around Telegraph Avenue like I used to do in high school before I discovered any kind of interesting counterculture, except now I would have a small idea of what I was looking at.

eating in bed, poetry zine by Jacqulyn Ladnier

I have a hard time reading poetry casually, but Jacqulyn Ladnier’s eating in bed was the perfect impetus for a quiet, reflective moment in the midst of life being busy-busy-busy like it always insists on being. The zine came with a personal note. Probably I ate my copy in bed! (See what I did there? But I promise you, I just read it. I haven’t eaten paper in years.)

Blunt Letters zine
Blunt Letters zine

The Blunt Letters #5, bizarre “absurdist” zine is classic cut-and-paste scribbly style, by Micaela Superstar and Elle Lectrick. This issue was themed “pills”, more broadly addictive substances. One of the few zines where I liked some of the content and hated the rest. Here’s what I liked: an essay called “maybe it’s the pills” about crazy-making birth control, “The Joe Shmoe Interview” about drug abuse at work (this guy was so hopped up on Adderall that he tried to murder someone!), the essay “Caffeine Love”, and the various recipes, especially Breaking Bad-themed cocktails even though I don’t watch Breaking Bad. I hated: the “Whorescopes” and “People With Problems” sections, which were just CRUEL, the barely-decipherable comics, and the section that was mean about Kim Kardashian, going so far as to call her then-boyfriend Kanye West the “poor man’s Jay Z”, which is wrong is at least three ways. I do not recommend this reading experience, but if you’re interested you can hit ’em up on Facebook or check out their blog.

And now for the reviews without pictures!

“Goodbye to All That” by Wren Awry, AKA The Seams & The Story #1, was great. It’s a zine about New York, about a person growing up and becoming punk, about 20th century anarchism, and could probably be summed up by this sentence near the end: “if you ask me if there is a time and place I wish I could have lived through, I will tell you that it is the Lowest East Side in this 1980s, when squatters were opening up rusting tenements and defending them against the police.” Exactly the kind of history that I am HUNGRY for. Idealism thrives and idealism stokes the fire of my own soul! To obtain this zine, email seamsandstory@riseup.net, or print a copy from the PDF. Be sure to check out Wren’s blog for more writing.

Dreams of Donuts #2, a comic-form diary by Heather Wreckage: in a word, charming! I got to meet Heather the other day and she has mermaid hair. Beautiful aqua-green mermaid hair! Again, charming! Let’s pretend that I wrote the Maximum Rock’n’Roll rave review, which Heather posted on her blog. Basically, it’s a lovely zine with lovely poignant stories and especially relevant if you live in the Bay Area. The last line in the acknowledgements section is, “No thanks to cops, bart, techies, & landlords.” LOL + HYFR. To obtain this zine, email Heather (all4choice@hotmail.com) or just go ahead and send her cash: Heather Wreckage // 5867 San Pablo Avenue // Oakland, CA 94608 // United States.

Cup & Saucer Chronicles #3, “Winter”, is kind of travel diary about going to East Coast zine fests. Also includes an interview with Raymond Pettibon, who is apparently related to Black Flag in some way? IDK. Interesting nonetheless. I intend to email the creator about trading for more issues, and you should too: Ericnelson83@gmail.com.

GOODNESS. Okay, that’s it for now. I have a couple more zines in my to-read pile, but I doubt that I’ll get around to writing them up before I leave on my road trip. L8r g8rs!

Why I Didn’t Vote

Update circa November, 2015: I’ve changed my mind about this. But I still think it’s a good essay and definitely encapsulates how I felt at the time.


On November 4th, 2014, I didn’t vote.

People have two main perspectives on my choice.

The first view is that it’s my duty to vote, as an adult citizen of the United States. I am responsible for researching the ballot issues and the candidates. Once I am informed, I must register my judgments via the official “democratic process”. If I refrain from voting, then I can’t complain about the state of affairs, because I willingly relinquished my chance to have a say in how things go. This is the view held by most people over forty, including my parents, and plenty of younger people as well.

The other perspective is basically, “Who cares? Voting is useless anyway.”

Personally, I suspect that voting is at least semi-useless, and that’s part of why I didn’t do it this year. I suspect that lawsuits and fair-minded juries are more important than who sits on the local school board. (Unfortunately, recent events show that fair-minded juries are rare; they value some citizens more than others.) I suspect—no, I am determined—that when an issue makes it into court or is featured on a ballot, the ultimate outcome is still determined by money.

For example, California’s Proposition 47 demoted minor drug offenses from felonies to misdemeanors—which is awesome! However, I don’t think the proposition would have passed if it weren’t projected to save the state a lot of money. (Click here to learn more.) Similarly, you’ve never heard of the would-be candidates for political office who don’t have funds at their command, because a person needs money to catch the public’s eye. People don’t vote for anonymous poor citizens, no matter how talented they may be. It’s very difficult for a marginalized person to gain a position where they can help protect other members of marginalized communities.

But how do I know that I’m right about these things? How do I determine whether I’m just being lazy? Furthermore, what amount of political engagement do I owe to my community? As I wrote previously for the Richmond Pulse, “Part of me feels guilty [about not voting], like I’ve shirked a responsibility, and part of me feels defiant. All of me feels angry that voting has been framed as mandatory—I didn’t choose to be born, or to be inserted into a political society, and yet I’m expected to participate in its organization. That’s a responsibility for which I am not prepared.”

I would prefer not to engage politically at all. I don’t mind paying taxes, but usually I don’t make enough money for the government to bother skimming a cut from my income. Except when I accidentally park at the curb on a street-sweeping day, the government and I stay out of each other’s hair.

Of course, I use systems built by the government: I mail things through the United States Postal Service, I drive on roads, and I take advantage of various other state-facilitated infrastructures. My parents’ property is theoretically protected by the county police force. America’s entire peaceful existence—relatively peaceful, that is—is theoretically safeguarded by the heinous military-industrial complex. Here’s the argument: “If we didn’t have a huge burdensome terroristic military, then some other country would invade us!” Depressingly, that argument has a point.

I was thinking about these issues on November 4th, and I misguidedly posted a Facebook status about my torn feelings. This is an excerpt from that post:

I didn’t vote. I’m not going to vote. I won’t go so far as to say that you’re kidding yourself if you think voting is effective, but I will point out that 1) money is what wins elections, and 2) America is not a democracy; it never has been.

Inevitably this post will get comments saying that I’m wrong, that I should participate, that I should have faith in the system and do my “civic duty”. I may be wrong—it happens often—but I really do feel disenfranchised.

Do you ever post something controversial on Facebook and then remember why it’s never a good idea to do that? Yeah, me too. The responses to my voting status were infuriating—but also enlightening. People were incensed by my pessimism and refusal to participate. Reading the debate would have been interesting if I could have detached myself emotionally. As it was, I felt attacked, guilt-tripped from several sides. I don’t think people meant to upset me, but I was shaken nonetheless. Eventually I calmed down enough to explain my position further:

I wrote this post from an emotional place, from a desperate and disconsolate place. I didn’t make that clear [in my original post]. What I wrote came across as a political statement, but I was looking for solace. Maybe it’s petty to make this all about my emotions—[but] this is my Facebook “status”, right?

I think [name redacted] is correct that not voting doesn’t accomplish anything. And yet I feel very mistrustful of the media/information sources regarding politics, the entire system of “democracy”, and even my own judgment. (In fact, something that occurred to me a few times yesterday was, “If y’all think I’m so wrong, why do you even want me to vote?!”)

I’m angry that I’ve been included in any of this at all, “any of this” meaning life and its tragic complexity. I didn’t ask to be born, and it’s hard enough just existing—now I’m supposed to have all this responsibility to participate in the organization of society? I can’t handle that. I don’t have the stress-dealing capacity to be involved.

It’s entirely possible that I’m wrong about the potency of an individual vote. However, even if I felt convinced that my choices would be significant, I might still abstain. Is that selfish? Hell yeah. I can’t do anything but put on my own oxygen mask first, so to speak.

As I explained in my comment, the other part of why I didn’t vote was that I don’t have enough energy to do it right. Throughout the summer, I actively avoided news about Palestine and Ferguson, because the responsibility to be informed is too taxing. Being exposed to violent news, learning what’s happening around the world and in my own country, fills me with a sort of paralytic anxiety. It triggers a kind of despair that is very difficult to circumvent. I end up crying on the floor instead of being productive in any way.

Mental illness has greatly interfered with my ability to be “normal”, to behave in the expected ways and to accomplish what I’m “supposed” to have accomplished by this point in my life. I am twenty years old, two years past my legal majority, and yet I am nowhere near being a grownup. I don’t support myself. I still live with my parents and it’ll be a while before I move out, because even with all this help I am always on the verge of falling apart. Still, people want me to vote. Maybe I’m better than I think at concealing my dysfunction.

Luckily, there are people stronger than me. In light of the recent protests against police brutality, against the unpunished murders of Black men and women, of Black children, against the farce of our “justice” system, I’m proud to see that my generation knows how to be politically active, whether or not they vote. Protesters who march through the cities and block the freeways are showing with their bodies that they care, that they will not allow life to continue normally when it has never been “normal” for Black families.

To me, this is a more powerful form of community action than voting. Maybe one can’t exist without the other. Regardless, I have to figure out the best way for me to participate in society’s improvement. That’s something we all decide for ourselves, isn’t it?

Pour It Up

The alternate title for this post was “Consciousness Streaming 2k14 Before The Year Runs Out”.

So about those collages… (Spellcheck always wants me to mean “college” when I type “collage”, and I’m like, “lol spellcheck do u even know me”.)

It’s hard to figure out your own art. It’s hard to decide what it means. Does it need to mean something? I can’t trace where the thoughts come from, because they arise from media and dreams and relationships. The media that I’m drawn to and the dreams that I have and the relationships that I seek are all based on each other, so what’s a girl to do?

The Weeknd in concert
Via @abelxo on Instagram.

“This ain’t nothing to relate to.” A line from The Weeknd’s ballad about young adult stardom, “John Carpenter”. He repeats those words over and over again after the unsurprising verses about fame and drug abuse. Okay, technically every one of his songs is about young adult stardom, partying too hard and trying not to get knocked down.

“I tweak all day just to sleep at night.
God damn, I’m high.
My doctor told me to stop;
he gave me something to pop.
And I mix it up with some Adderalls
and I wait to get to the top.
And I mix it up with some alcohol
and I pour it up in a shot.”

After singing through more hedonistic angst, The Weeknd says, “This ain’t nothing to relate to.” What a relatable statement that is, though! What a Sylvia Plath type of thing to say. It is very relatable to feel alone at a party, for your success to be filled with ennui.

The mood reminds me of another song in a similar vein: “Tuesday” by I Love Makonnen, featuring Drake.

Collage: Sorry We Caused You Trouble

Roughly a week ago, I went over to my friend Kelsey’s place to catch up. We sat on the floor playing with magazine scraps and making fun of her cat, who also wanted to play with magazine scraps. It was a good time. Below are the collages that I made…

collages 12-10-2014 (roughly)

“Moving and we abandon the virtue. Build it. Enough.” I chose the caption using intuition rather than having an idea of what I wanted to say beforehand. Meaning: I chose the words randomly.

Collage is my favorite method of visual expression for the soothing opportunity to make simple choice after simple choice. I don’t think about it much, but I keep on juxtaposing the images that I like. What results is meaningful to me in a mysterious way.

collages 12-10-2014 (roughly)

Reducing the image file of a magazine scan can lead to the printed texture being over-emphasized.

collages 12-10-2014 (roughly)

Britney Spears is virtually immortal! And modern! Like popsicles! Or, um, something about desserts and female sexuality, commodification of sensuality in general… IT’S ART, I SWEAR. C’est un artiste. I don’t speak French.

collages 12-10-2014 (roughly)

Millennial Problems: No One Wants to Pay You

I haven’t written at all during the past two days. I’ve been working on Christmas presents; I’ve been doing social things; I’ve been depressed. Whatever — there are always excuses. I don’t need to beat myself up about it, but I do feel disappointed. For the most part I’m not doing paid work right now, making my own projects even more of a priority. Still, it’s hard to maintain the go-go-go pace, you know?

Last night and this morning I comforted my crushed career hopes — being able to support myself as a writer — by reading a bunch of articles about unpaid internships. Basically, unpaid interns are free labor for the companies that “employ” them. Such programs are invariably exploitative. Usually, they are also illegal. And yet the Craigslist ads keep popping up. To see a couple of recent examples, click here and here.

Journalist Sarah Kendzior was interviewed on this topic in 2013. She said, “The American Dream dies hard, because it was not a dream. We saw it work for previous generations. And now we witness its erosion.” Yup. I feel like I’ve been duped! (Hat tip to Miri Mogilevsky, another eloquent critic of unpaid internships.)

First on Twitter and then on her blog, Kendzior outlined the steps of building a “prestige economy”, her term for the system that only rewards people who have the privilege to accrue credentials without being paid. Here are the first points:

“1) Make higher education worthless by redefining ‘skill’ as a specific corporate contribution. Tell young people they have no skills.

2) With ‘skill’ irrelevant, require experience. Make internship sole path to experience. Make internships unpaid, locking out all but rich.”

I’m one of the lucky few who can afford to work for free, because my parents support me. It’s still exasperating. I don’t want to be supported by my parents forever. Neither do I want to work a drudgerous full-time job. The world isn’t organized how I wish it was. Ugh. End rant.

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